This baby cat is so... kitten-ish. And black. And... brown.
How many times have you observed an expression on someone's face at the supermarket, or noticed the bad guy's body language on a movie, then written it down the second you had a paper and pen so you wouldn't forget?
Lately I've been doing a lot staring at the screen when I am stumped, unable to make a description sound the way I'd like. Sometimes I come up with the *perfect* wording eventually, but most of the time I end up changing the words in question to red font, and move on for the time being.
This Friday's quote comes from John Gardner's On Becoming a Novelist.
"The bad writer may not intend to manipulate; he simply does not know what his characters would do because he has not been catching the subtle emotional signals that, for the more careful writer, show where the action must go next. Both because the cogency of his story depends on it and because he has learned to take pride in getting his scenes exactly right, the good writer scrutinizes the imagined or remembered scene with full concentration. Though his plot seem to be rolling along beautifully and his characters seem to be behaving with authentic and surprising independence, as characters in good fiction always do, the writer is willing to stop writing for a minute or two, or even stop for a long while, to figure out precisely what some object or gesture looks like and hunt down exactly the right words to describe it."
Great quote, right? Here's what I got out of it: We writers should never take the easy way out. (I'm a fan of the easy way out, by the way.) What we should do is take whatever means necessary, no matter how frustrating or time consuming it may be, to ensure our final product is not only true to the story, but that the writing is also our absolute best.
Does that sound about right? Yes? Okay great. Now if only my absolute best would stop trying my patience...